Encyclopedia of Comic Books and Graphic Novels [2 volumes]: [Two Volumes]The most comprehensive reference ever compiled about the rich and enduring genre of comic books and graphic novels, from their emergence in the 1930s to their late-century breakout into the mainstream. At a time when graphic novels have expanded beyond their fan cults to become mainstream bestsellers and sources for Hollywood entertainment, Encyclopedia of Comic Books and Graphic Novels serves as an exhaustive exploration of the genre's history, its landmark creators and creations, and its profound influence on American life and culture. Encyclopedia of Comic Books and Graphic Novels focuses on English-language comics—plus a small selection of influential Japanese and European works available in English—with special emphasis on the new graphic novel format that emerged in the 1970s. Entries cover influential comic artists and writers such as Will Eisner, Alan Moore, and Grant Morrison, major genres and themes, and specific characters, comic book imprints, and landmark titles, including the pulp noir 100 Bullets, the post-apocalyptic Y: The Last Man, the revisionist superhero drama, Identity Crisis, and more. Key franchises such as Superman and Batman are the center of a constellation of related entries that include graphic novels and other imprints featuring the same characters or material.
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... and the book's letter column roiled with debate over Chaykin's depiction of sex and of women generally. Though American Flagg! is primarily associated with its creator, the book continued for several years after his departure.
During the 1940s, Aquaman's sea-based adventures primarily depicted him as defending the oceans against threats by modern-day pirates like BlackJack, his longtime enemy, and Nazi U-boat commanders. While most superheroes ceased ...
There is very little action going on in this graphic novel, since most of the pages depict the various kinds of mind games The ... and The Joker's speech is depicted in ragged, red lettering—too unruly to be confined within bubbles.
By further alluding in its title to the controversial 1915 film by D.W. Griffith, which depicts black freedom and citizenship as inherently deviant, the comic highlights the absurdities of American racial politics at the turn of the ...
Something dark lurks within these characters, in the woods, inside the suburban 1970s homes; readers are simultaneously repulsed by what is depicted and drawn toward the clear mastery with which it is depicted.
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Encyclopedia of Comic Books and Graphic Novels, Volumul 2 M. Keith Booker Nu există previzualizare disponibilă - 2010 |
Encyclopedia of Comic Books and Graphic Novels, Volumul 2 M. Keith Booker Nu există previzualizare disponibilă - 2010 |