Music and Temples, a Ritualistic ApproachSundeep Prakashan, 2000 - 245 pagini The Present Theme Has Two Specific Purposes Of Establishing The Importance That A Music Compo |
Cuprins
Chapter I | 27 |
Chapter III | 128 |
Musical Analysis of Temple | 143 |
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Ādi Avaraṇa beautiful Bhāgavatar Bhairavi bhajana bhakti Brahma Brahmin Bṛhaspati Cakra called Carnatic music celebrated century A.D. Chapu Cidambaram Cōla composed compositions consort dance dar¶ana Dēvi devotees Dīkṣitar divine festival five Gāṇapati Gaṇe¶a Goddess gods Guru Hindu hymns Ibid idol important inscriptions instruments Jñānasambandar Kāmākṣī Kāñcī Kāñcīpuram Kerala king kirtanas known Kṛṣṇa Krtis Kṣētra Kuppayyar Lakṣmi legends Linga Lord ¦iva Madurai Mahā Mahārāja maṇḍapa mantra mentioned Muruga musicians Muthiah Naṭarāja Navagraha Navagraha kṛtis Pallava Pañca Pāṇḍya Pārvatī penance performed period planets praise of Lord presiding deity pūjā Purāṇa Purāņas rāga Rāja Rāma Rangam reference religious rituals Rūpaka sacred sage sahitya saints ¦aiva ¦aivism ¦akti Samskṛta sanctum Sangama Sarva sculptures shrine Siddhi ¦iva songs south India ¦rī ¦rī Rāma ¦rīrangam Sthala Subrahmanya Sundara sung ¦yāma tāļa Tamil Nadu Tanjore temple Tēvāram Tillai tirtha Tiruvarur tradition Tyāgarāja Utsava Vaidic Vaiṣṇava Vibhakti Vidyā Vīņā Viṣṇu worship yōga yōgini